Over seven years ago, I wrote about Godello and said that “it’s at a crossroads in terms of its definition”. The reason behind that statement is that if one tries to whittle down an exact idea as to what Godello ‘is’ or ‘should be’, you’ll find yourself on exceedingly shifting grounds. It’s the case that we’ve come to a point where this crossroads the variety had to overcome, has been passed. I make this claim as the “undefined definition” of Godello has in fact become one of its primary characteristics […]

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